Artwork

Untitled

Untitled, by Mira Schendel, oil, 1966
Untitled, by Mira Schendel, oil, 1966

Untitled is an oil drawing by Mira Schendel. It dates from 1966 and is held in the collection of the Museum of Modern Art.

About this work

Overview

Using a technique that transfers oil-based marks onto delicate rice paper, Schendel produced subtle, ephemeral forms that resist clear definition.

Created in 1966, this oil transfer drawing on paper is one of many works by Mira Schendel that blur the boundaries between drawing, writing, and material experimentation. Using a technique that transfers oil-based marks onto delicate rice paper, Schendel produced subtle, ephemeral forms that resist clear definition. The piece is part of The Museum of Modern Art’s collection, reflecting its significance in postwar Latin American art.

Subject & Meaning

The work avoids literal representation, instead presenting a cluster of irregular dots in the upper left, suggesting a form in flux. A single thin line emerges from it, implying motion or connection without resolution. Schendel’s interest in language as a fragmented, unstable system is evident here—the dots resemble typographic marks or erased script, evoking absence rather than meaning.

Technique & Style

Schendel applied oil-based pigment to paper using a transfer method, allowing for soft, smudged edges and variable opacity. The dots, manually placed, vary in size and density, creating a tactile surface that responds to the absorbency of rice paper. The resulting texture is delicate and provisional, emphasizing process over finality and aligning with her interest in impermanence.

History & Provenance

This work was produced during a period when Schendel was deeply engaged with textual abstraction and material experimentation in São Paulo. It entered The Museum of Modern Art’s collection in the late 20th century as part of broader efforts to recognize non-Western avant-garde practices. Its preservation reflects institutional acknowledgment of her role in redefining drawing as a conceptual medium.

Context

In mid-1960s Brazil, artists were responding to political repression and cultural isolation by turning inward, exploring language, materiality, and perception. Schendel’s work, influenced by European modernism and Eastern philosophy, stood apart from dominant geometric abstraction. Her use of fragile supports like rice paper and transfer techniques reflected a quiet resistance to monumental art forms.

Legacy

Schendel’s approach to drawing as a site of linguistic and material inquiry has influenced subsequent generations of artists working at the intersection of text and image. Her emphasis on subtlety, impermanence, and process challenged hierarchies between medium and meaning, expanding the possibilities of drawing beyond traditional boundaries in contemporary art.

Artist & collection

Artist

Mira Schendel

Mira Schendel (June 7, 1919 – July 24, 1988) was a 20th-century Brazilian contemporary artist.

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.