Artwork

H Beard Print Collection

H Beard Print Collection, by John Mitchell, 1845
H Beard Print Collection, by John Mitchell, 1845

H Beard Print Collection is a print by the Romanticist artist John Mitchell. It dates from 1845 and is held in the collection of the Victoria and Albert Museum.

About this work

The print belongs to the Romantic style, which often used bold characters and dramatic scenes.

This print shows Charles Dickens dressed as Bobadill in a famous play.
It’s part of a collection printed around 1845.
The print belongs to the Romantic style, which often used bold characters and dramatic scenes.

Dickens actually played Bobadill on stage in his youth.
The print captures one of his early acting moments turned into art.

Look up the Victoria and Albert Museum for more on this kind of print.

Overview

The work is a mid‑19th‑century print that portrays the novelist Charles Dickens in costume as the character Bobadill from Ben Jonson’s comedy *Every Man in his Humour*. Issued by the publisher J. Mitchell in 1845, the image captures a theatrical moment now rendered as a printed illustration.

Subject & Meaning

Dickens, who pursued acting before establishing his literary career, is shown in the role of the boastful, self‑important Bobadill. The depiction reflects his youthful involvement with the stage and serves as a visual record of a specific performance rather than a narrative illustration of his later writings.

Technique & Style

Executed in the Romantic print tradition, the image employs strong line work and exaggerated gestures to emphasize the drama of the scene. The style favors bold characterisation and heightened expression, typical of theatrical prints intended to convey the energy of live performance.

History & Provenance

Published by J. Mitchell, a London printer active in the 1840s, the print was likely distributed as a souvenir for theatre‑goers. It forms part of a broader series of prints from the period that documented contemporary actors and productions, and it now resides within a collection of similar Romantic‑era works.

Context

During the 1840s, the public fascination with celebrity and theatre intersected with advances in print technology, enabling affordable reproductions of popular stage scenes. Dickens’s brief acting career, though short‑lived, intersected with this trend, allowing his likeness to be circulated beyond the footlights.

Artist & collection

Artist

John Mitchell

British artists in the 1840s often turned to prints to spread images of everyday scenes and celebrities.