Artwork

Seashore: Fishermen Hauling in a Boat

Seashore: Fishermen Hauling in a Boat, by George Morland, oil, 1791
Seashore: Fishermen Hauling in a Boat, by George Morland, oil, 1791

Seashore: Fishermen Hauling in a Boat is an oil painting by the Romanticist artist George Morland. It dates from 1791 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

The oil work titled *Seashore: Fishermen Hauling in a Boat* was created in 1791 by English painter George Morland. It entered the Victoria and Albert Museum as part of the 1868 bequest from Rev. Chauncey Hare Townshend. The artist’s signature appears on the boat’s rim, confirming its authorship.

Subject & Meaning

The scene depicts a small fishing vessel being dragged onto a pebble‑strewn shore, with waves breaking behind it. Two laborers pull the boat, while a dog and a basket rest near the vessel’s edge, emphasizing the everyday toil of coastal workers.

Technique & Style

Executed in oil on canvas, the painting employs a restrained palette of muted tones, rendering the figures and sea with a naturalistic softness. Light falls on the backs of the men, highlighting their physical effort without dramatic contrast, a hallmark of Morland’s observational approach.

History & Provenance

George Morland (1763‑1804) signed the work in 1791, during a period when he began producing larger, narrative canvases focused on rural and maritime life. After changing hands, the picture was included in Rev. Chauncey Hare Townshend’s 1868 donation to the V&A, where it remains in the collection.

Context

Morland’s early training involved copying Dutch landscapes and emulating Claude‑Joseph Vernet’s seascapes, experiences that informed his later depictions of working‑class scenes. By the 1790s he was known for rustic and smuggling subjects, producing a prolific output that catered to a broad market across Britain, France, and Germany.

Artist & collection

Portrait of George Morland

Artist

George Morland

George Morland (26 June 1763 – 29 October 1804) was an English painter. His early work was influenced by Francis Wheatley, but after the 1790s he came into his own style. His best compositions focus on rustic scenes:…