Τετράδιο μελετών με 9 φύλλα - Σύνθεση

Rendered in light, fluid pencil strokes, the drawing avoids heavy shading or detail. Lines are tentative yet purposeful, conveying volume through suggestion rather than definition. The loose, rapid handling indicates a working sketch—intended for observation, not display. The signature and date in Greek at the lower left confirm its personal, archival function.

The sketchbook page resides in the collection of the Museum of Ethnography. Mylona, trained at the Athens School of Fine Arts under Michael Tombros, maintained a studio in Paris from the 1960s onward. This work, dated 1985, likely belongs to a later phase of her sketching practice, though the series was initiated earlier, reflecting her sustained engagement with observational drawing.

In the context of 1970s Greek art, Mylona’s focus on private, iterative drawing stood apart from dominant public or political modes. Her sketchbooks functioned as laboratories for form and structure, informing her three-dimensional work. This page exemplifies how everyday observations fed into a sculptural vocabulary grounded in subtlety and restraint.

Mylona’s sketchbooks, including this sheet, offer insight into the quiet discipline underlying her sculptural practice. They reveal an artist attentive to line, weight, and spatial relationships in ordinary objects. These studies, though not exhibited publicly during her lifetime, now serve as vital records of her method and intellectual rigor.