Artwork
Untitled
Untitled is an ink print by Nobodycorp Internationale Unlimited. It dates from 2012 and is held in the collection of the Museum of Modern Art.
About this work
This poster shows a bold red face with big, empty eyes and a stitched mouth.
This poster shows a bold red face with big, empty eyes and a stitched mouth. Above it, black text in Indonesian says *"Serakah itu salah!"* (Greed is wrong!). Below, it reads *"Hentikan kerakusan korporasi!"* (#Occupy Jakarta). The colors are stark—red, black, and white—with a hashtag at the bottom.
The face looks like a protest mask, mixing anger with a call for change. It’s part of a set of 31 prints made in 2012.
Look up Nobodycorp Internationale Unlimited to see more of their work.
Overview
Untitled is a 2012 screenprint produced by the collective Nobodycorp Internationale Unlimited. It belongs to a series of thirty‑one prints created that year and is part of the permanent collection of the Museum of Modern Art. The work is executed in a limited palette of red, black and white, employing stark graphic contrasts that draw immediate visual attention.
Subject & Meaning
The image centers on a vivid red face with exaggerated, vacant eyes and a mouth rendered as a stitched line, evoking the aesthetic of protest masks. Superimposed Indonesian slogans—“Serakah itu salah!” (Greed is wrong!) and “Hentikan kerakusan korporasi!” (Stop corporate greed)—along with a #OccupyJakarta hashtag, articulate a direct political critique of corporate excess.
Technique & Style
Executed as a screenprint, the piece relies on bold, flat areas of color and crisp line work typical of mass‑produced poster art. The limited chromatic scheme heightens the graphic impact, while the repetitive stencil‑like quality underscores the work’s roots in activist visual culture and the reproducibility of protest imagery.
History & Provenance
Created in 2012, the print entered the Museum of Modern Art’s collection shortly after its production, reflecting the institution’s interest in contemporary activist art. Its acquisition situates the work within a broader museum effort to document early‑21st‑century political graphics.
Context
The piece emerged amid global anti‑corporate movements, notably the Occupy protests that spread in 2011‑2012. By incorporating Indonesian language and a localized hashtag, the work connects international dissent with specific regional concerns, positioning the collective’s visual language within a transnational network of resistance.
Artist & collection
Artist
Nobodycorp Internationale Unlimited
Nobodycorp Internationale Unlimited made Untitled, a 2012 screenprint from a set of thirty-one.
