Who painted Shields of Henry IV and Maria de Medici [bottom half]?

Shields of Henry IV and Maria de Medici [bottom half] was painted by Simon van de Passe in 1621.

Where can I see Shields of Henry IV and Maria de Medici [bottom half]?

Shields of Henry IV and Maria de Medici [bottom half] is held by National Gallery of Art.

What movement is Shields of Henry IV and Maria de Medici [bottom half]?

Shields of Henry IV and Maria de Medici [bottom half] is associated with Renaissance.

Artwork

Shields of Henry IV and Maria de Medici [bottom half]

Simon van de Passe , 1621

Shields of Henry IV and Maria de Medici [bottom half] is an ink print by the Renaissance artist Simon van de Passe. It dates from 1621 and is held in the collection of the National Gallery of Art.

About this work

Overview

This 1621 engraving, pulled from a silver medal engraved by Simon van de Passe, depicts the heraldic shields of Henry IV and Maria de Medici in the lower portion of the original design.

Subject & Meaning

The engraving features two distinct shields: one bearing a chain (likely symbolizing Henry IV) and the other a fleur-de-lis (associated with Maria de Medici), both encircled by a wreath and surmounted by a crown, conveying royal lineage and union.

Technique & Style

Executed in a cross-hatching technique, the engraving achieves depth and texture through meticulous line work, enhanced by nuanced shading and contrast to elevate the visual complexity of the heraldic motifs.

History & Provenance

Now part of the collection at The National Gallery of Art in Washington, the piece's provenance prior to its acquisition is not detailed here, highlighting its current status as a preserved example of early 17th-century engraving art.

Context

Created during the Renaissance, this work exemplifies the period's attention to detail and the use of engraving for commemorating royal figures, reflecting the artistic and political climate of early 17th-century Europe.

Legacy

While not widely renowned as a singular landmark piece, it contributes to the broader understanding of Renaissance engraving techniques and the commemoration of European royal heritage through art.