Artwork

Changing Shifts, Charleroi

Changing Shifts, Charleroi, by Joseph Pennell, ink, 1911
Changing Shifts, Charleroi, by Joseph Pennell, ink, 1911

Changing Shifts, Charleroi is an ink print by Joseph Pennell. It dates from 1911 and is held in the collection of the National Gallery of Art.

About this work

Overview

Changing Shifts, Charleroi is a 1911 lithograph by Joseph Pennell, capturing a moment of industrial activity in Charleroi, Belgium. The work showcases Pennell's focus on urban and industrial landscapes, characteristic of his European period.

Subject & Meaning

The lithograph highlights the daily life of industrial workers, with small, foreground figures set against the imposing backdrop of a factory. This composition emphasizes the human element within the industrial era's vast, dominating environments.

Technique & Style

Pennell, trained by James Lambdin and Thomas Eakins, and later influenced by James McNeill Whistler, employs lithography to create a stark, dark scene. The contrast between the detailed, looming factory and the diminutive workers reflects his skill in capturing industrial landscapes through printmaking.

History & Provenance

Created in 1911, the work is part of Pennell's European output, marking his observation of industrial life in Belgium. Specific provenance details are not provided.

Context

Changing Shifts, Charleroi reflects the early 20th-century industrial landscape, a common subject among artists documenting the era's societal and environmental transformations.

Legacy

As part of Pennell's industrial-themed works, Changing Shifts, Charleroi contributes to the broader artistic record of the industrial age, though its individual impact within Pennell's oeuvre is not distinctly highlighted.

Artist & collection

Portrait of Joseph Pennell

Artist

Joseph Pennell

Joseph Pennell (July 4, 1857 – April 23, 1926) was an American draftsman, etcher, lithographer, and illustrator for books and magazines.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.