Who painted Juliane Marie, Frederik V's anden dronning?

Juliane Marie, Frederik V's anden dronning was painted by Peter Wichmann in 1745.

Where can I see Juliane Marie, Frederik V's anden dronning?

Juliane Marie, Frederik V's anden dronning is held by Statens Museum for Kunst.

What movement is Juliane Marie, Frederik V's anden dronning?

Juliane Marie, Frederik V's anden dronning is associated with Rococo painting.

Artwork

Juliane Marie, Frederik V's anden dronning

Peter Wichmann , 1745

Juliane Marie, Frederik V's anden dronning is an oil painting by the Rococo painting artist Peter Wichmann. It dates from 1745 and is held in the collection of the Statens Museum for Kunst.

About this work

Overview

Peter Wichmann’s 1745 oil portrait presents Juliana Maria of Brunswick‑Wolfenbüttel, the second queen consort of King Frederick V of Denmark. Executed in the mid‑18th century, the work is part of the collection of Denmark’s National Gallery, the Statens Museum for Kunst, where it remains on display as a representative example of court portraiture from the period.

Subject & Meaning

The sitter is shown in regal attire, her posture and expression conveying the dignity expected of a queen. The composition emphasizes her status through sumptuous fabrics and a composed demeanor, reflecting the political and dynastic significance of her marriage to Frederick V and her role within the Danish royal household.

Technique & Style

Wichmann employs a refined oil technique, rendering the lace‑trimmed bodice and the deep red cloak with meticulous brushwork that captures texture and sheen. The muted blue‑gray backdrop isolates the figure, allowing the intricate details of costume and the modest updo hairstyle to dominate the visual field, characteristic of Northern European portraiture of the era.

History & Provenance

Since its creation, the painting has remained within Danish institutional holdings, ultimately entering the Statens Museum for Kunst’s permanent collection. Its documented presence in the museum’s catalogues confirms its provenance and underscores its value as a historical record of the Danish court in the mid‑1700s.