Who painted Woman Seated on a Mule?

Woman Seated on a Mule was painted by Jacobus Buys in 1769.

Where can I see Woman Seated on a Mule?

Woman Seated on a Mule is held by National Gallery of Art.

What movement is Woman Seated on a Mule?

Woman Seated on a Mule is associated with Romanticism.

Artwork

Woman Seated on a Mule

Jacobus Buys , 1769

Woman Seated on a Mule is a chalk print by the Romanticist artist Jacobus Buys. It dates from 1769 and is held in the collection of the National Gallery of Art.

About this work

The artist used a technique called *roulette printing*—tiny dots made by rolling a spiked wheel—to create the dark outlines.

This sketch shows a woman riding a mule in shallow water, surrounded by cows, sheep, and a goat. In the background, a man leads more cattle, and another person rows a boat with animals. The scene is drawn in soft, sketchy lines with light shading, giving it a quiet, everyday feel.

The artist used a technique called *roulette printing*—tiny dots made by rolling a spiked wheel—to create the dark outlines. This method was common in the 18th century for quick, detailed sketches.

If you like this style, check out the National Gallery of Art, Washington, where this work is held.

Overview

Cornelis Ploos van Amstel’s 1769 print titled *Woman Seated on a Mule* is executed in chalk manner and roulette on laid paper. The work measures a modest sheet of paper and is rendered entirely in black ink, presenting a quiet rural tableau that captures a moment of everyday life in the Dutch countryside.

Subject & Meaning

The composition depicts a woman perched on a mule as it wades through shallow water, surrounded by a small herd of cows, sheep and a goat. In the distance a man guides additional cattle while another figure rows a boat carrying more animals, suggesting a bustling yet tranquil agrarian scene.

Technique & Style

Ploos van Amstel employed roulette printing, a method that uses a spiked wheel to produce a field of fine dots for outlining and shading. Combined with chalk manner, the technique yields soft, sketchy lines and subtle tonal variation, characteristic of eighteenth‑century preparatory drawings intended for rapid dissemination.

History & Provenance

The print was produced in 1769, a period when the artist was active in Amsterdam’s printmaking circles. It entered the collection of the National Gallery of Art in Washington, D.C., where it remains catalogued as part of the museum’s holdings of Dutch graphic works.

Context

During the mid‑1700s Dutch artists frequently documented rural labor and domestic scenes, reflecting both a nostalgic view of the countryside and an interest in genre subjects. Ploos van Amstel’s work aligns with this tradition, offering a visual record of everyday activities rather than an idealized landscape.