Artwork

Retrato de Miguel de Azcuénaga

Retrato de Miguel de Azcuénaga, by Prilidiano Pueyrredón, oil, 1864
Retrato de Miguel de Azcuénaga, by Prilidiano Pueyrredón, oil, 1864

Retrato de Miguel de Azcuénaga is an oil painting by the Realist artist Prilidiano Pueyrredón. It dates from 1864 and is held in the collection of the National Museum of Fine Arts, Argentina. Created in 1864, this oil painting presents a formal portrait of a gentleman seated at a desk.

About this work

Overview

Created in 1864, this oil painting presents a formal portrait of a gentleman seated at a desk. He wears a dark suit, white shirt and black bow tie, his expression sober and gaze directed forward. The composition is set against a muted gray wall, emphasizing the figure’s presence and the subtle details of his attire and surroundings.

Subject & Meaning

The sitter is Miguel de Azcuénaga, a notable figure of early Argentine history. His poised posture and restrained demeanor convey the gravitas associated with public service in the nascent nation. The portrait functions both as a personal likeness and as a visual record of the era’s emerging political elite.

Technique & Style

Executed in a realistic manner, the work demonstrates careful observation of texture and light. The artist employs chiaroscuro to model the folds of the clothing and the contours of the face, while the dark background isolates the subject. Fine brushwork renders the sheen of fabric and the subtle sheen of the desk surface.

History & Provenance

The painting was produced by Prilidiano Pueyrredón, one of Argentina’s first recognized painters, who also practiced architecture and engineering. It entered the collection of the National Museum of Fine Arts in Buenos Aires, where it remains part of the institution’s holdings of 19th‑century Argentine art.

Artist & collection

Portrait of Prilidiano Pueyrredón

Artist

Prilidiano Pueyrredón

Prilidiano Pueyrredón (January 24, 1823 – November 3, 1870) was an Argentine painter, architect and engineer. One of the country's first prominent painters, he was known for his costumbrist sensibility and preference for everyday themes.