Artwork

Asesinato de Maza

Asesinato de Maza, by Prilidiano Pueyrredón, oil
Asesinato de Maza, by Prilidiano Pueyrredón, oil

Asesinato de Maza is an oil painting by the Realist artist Prilidiano Pueyrredón. It is held in the collection of the National Museum of Fine Arts, Argentina.

About this work

Overview

*Asesinato de Maza* is an oil on canvas executed in 1898 by Argentine artist Prilidiano Pueyrredón. The work belongs to the tradition of 19th‑century history painting, employing a realist visual language to record a violent episode from the nation’s political past. It is part of the permanent collection of the National Museum of Fine Arts in Buenos Aires.

Subject & Meaning

The composition centers on a group gathered around a fallen figure, suggesting a lethal confrontation. The somber arrangement and the focus on a single, possibly mortally wounded man convey the gravity of the event, inviting viewers to contemplate the human cost of political conflict.

Technique & Style

Pueyrredón renders the scene with a restrained palette and meticulous detail, hallmarks of realist practice. A solitary light source illuminates the central figure, casting deep shadows that heighten the drama and underscore the painting’s emotional intensity.

History & Provenance

Although Pueyrredón died in 1870, the date inscribed on the canvas is 1898, indicating that the work was likely completed posthumously from his sketches or studio materials. It entered the National Museum of Fine Arts’ holdings in the early 20th century, where it remains on display.

Context

The painting reflects Argentina’s early realist movement, which prioritized everyday and historical subjects rendered with observational accuracy. By choosing a politically charged moment, Pueyrredón aligns his work with the genre’s aim to document pivotal national narratives.

Artist & collection

Portrait of Prilidiano Pueyrredón

Artist

Prilidiano Pueyrredón

Prilidiano Pueyrredón (January 24, 1823 – November 3, 1870) was an Argentine painter, architect and engineer. One of the country's first prominent painters, he was known for his costumbrist sensibility and preference for everyday themes.