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Sintenis employed drypoint, a printmaking method in which lines are scratched directly into a metal plate with a sharp needle. The resulting marks are delicate yet assertive, with subtle burr that softens edges slightly. The absence of shading and reliance on contour lines reflect her sculptural sensibility—reducing the figure to its essential volumes without ornament or texture.

The work entered the collection of The Museum of Modern Art as part of its early commitment to modern graphic arts. While specific acquisition details are not widely documented, its inclusion reflects institutional recognition of Sintenis’s role in interwar German printmaking. It remains one of many small-scale works by her preserved in major collections.

In mid-1920s Berlin, Sintenis was part of a generation of artists exploring intimate, modern subjects through direct, tactile mediums. Drypoint suited her preference for immediacy and control, contrasting with the more elaborate etchings of her contemporaries. Her focus on figures—both human and animal—aligned with broader Expressionist interests in psychological presence over realism.

Sintenis’s drypoints, including this work, are recognized for their quiet authority and formal clarity. Though less prominent in mainstream art history than her sculptural output, her prints influenced later generations interested in the expressive potential of line and reduction. They remain studied for their balance between simplicity and emotional restraint.