Who painted Emily Merelina Meymott, Baroness Shand (1830 - 1911)?

Emily Merelina Meymott, Baroness Shand (1830 - 1911) was painted by Robert Herdman in 1867.

Where can I see Emily Merelina Meymott, Baroness Shand (1830 - 1911)?

Emily Merelina Meymott, Baroness Shand (1830 - 1911) is held by National Galleries Scotland.

What movement is Emily Merelina Meymott, Baroness Shand (1830 - 1911)?

Emily Merelina Meymott, Baroness Shand (1830 - 1911) is associated with British Romanticism.

Artwork

Emily Merelina Meymott, Baroness Shand (1830 - 1911)

Robert Herdman , 1867

Emily Merelina Meymott, Baroness Shand (1830 - 1911) is an oil painting by the British Romanticist artist Robert Herdman. It dates from 1867 and is held in the collection of the National Galleries Scotland.

About this work

Overview

Emily Merelina Meymott, Baroness Shand, is depicted in a portrait painted by Robert Herdman in 1867. Executed in oil on canvas, the work is characteristic of the British Romanticism movement and is part of the collection at the Scottish National Gallery.

Subject & Meaning

The portrait captures Baroness Shand in a contemplative pose, seated with her left hand resting on her chin and her gaze directed to the right. Her attire, a white lace-trimmed dress with a blue skirt, and the surrounding decor—a red chair, table with papers and a golden object, and a rug—contribute to an atmosphere of quiet reflection, suggesting a moment of introspection.

Technique & Style

Herdman's approach to portraiture in this piece aligns with British Romanticism, emphasizing emotional depth through pose and setting. The use of color, particularly the contrast between the subject's attire and the background elements, enhances the introspective mood.

History & Provenance

Painted in 1867, the portrait is the work of Scottish artist Robert Herdman, known for his contributions to portraiture, historical scenes, and pastoral themes. The piece is now held in the Scottish National Gallery.

Context

Robert Herdman's career included extensive exhibitions in London and internationally, as well as membership in the Royal Scottish Academy. This portrait reflects his skill in capturing the essence of his sitters within the aesthetic of his time.