Étiennette-Charlotte-Adélaïde Févret de Saint-Mémin

The artist employed mezzotint to achieve deep, rich darks and luminous lights, characteristic of this challenging technique. Fine lines were used to render the subject's skin with remarkable softness and realism, evoking comparisons to the portrait style of Gilbert Stuart.

The work is part of the Corcoran Collection, though specific details of its creation context or the subject's relationship to the artist (beyond sharing a surname) are not provided in available information.

Created at the turn of the 19th century, this print reflects the artistic preferences of its time, blending traditional portrait techniques with the expressive depth of mezzotint, a method that was particularly popular for capturing nuanced likenesses.

While specific legacy details of this particular work are not highlighted, it contributes to the broader appreciation of late 18th-century printmaking techniques and portrait artistry, alongside the recognized body of work by Charles B. J. Févret de Saint-Mémin.