Artwork

On the Viga, Outskirts of the City of Mexico

On the Viga, Outskirts of the City of Mexico, by Samuel Colman, oil, 1896
On the Viga, Outskirts of the City of Mexico, by Samuel Colman, oil, 1896

On the Viga, Outskirts of the City of Mexico is an oil painting by the American Impressionist artist Samuel Colman. It dates from 1896 and is held in the collection of the Brooklyn Museum.

About this work

Overview

Samuel Colman’s 1896 oil on canvas, *On the Viga, Outskirts of the City of Mexico*, presents a quiet riverside scene on the periphery of Mexico City. The composition balances a modest boat, a spanning bridge, and a prominent church against a muted, overcast sky, inviting the viewer to contemplate the everyday landscape beyond the urban core.

Subject & Meaning

The work captures a moment of ordinary life along the Viga River, where commerce and worship intersect. A small barque drifts near a stone bridge, while a sizable church rises behind, emphasizing the coexistence of transportation, architecture, and religious presence in a peripheral urban setting.

Technique & Style

Executed in the American Impressionist manner, Colman employs loose, visible brushwork that textures the water and sky. A restrained palette of grays, blues, and earth tones conveys the atmospheric haze, while the softened edges and light handling suggest fleeting impressions rather than precise detail.

History & Provenance

Created toward the end of Colman’s career, the painting entered the Brooklyn Museum’s collection, where it remains on view alongside other works by the artist. Its acquisition reflects the museum’s interest in late‑19th‑century American painters who explored scenes beyond the Hudson River tradition.

Artist & collection

Portrait of Samuel Colman

Artist

Samuel Colman

Samuel Colman (March 4, 1832 – March 26, 1920) was an American painter, interior designer, and writer, probably best remembered for his paintings of the Hudson River.

Brooklyn Museum

Museum

Brooklyn Museum

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This work is in the public domain (CC0). Image source: Brooklyn Museum open access. Spotted an error in this record? Tell us.