Artwork
Study for "Handmaid of the Lord"

Study for "Handmaid of the Lord" is a charcoal drawing by John Singer Sargent. It dates from 1910 and is held in the collection of the National Gallery of Art.
About this work
Overview
This charcoal drawing on gray laid paper depicts a figure's upper half with raised arms, implying the act of putting on or taking off a coat. The piece showcases Sargent's characteristic sketching style.
Subject & Meaning
The subject appears to be in a state of transitional movement, with the primary focus on the dynamic interaction between the figure's pose and the coat's volumetric qualities.
Technique & Style
Sargent employed loose, gestural charcoal marks to emphasize the fluidity and texture of the coat, contrasting with the blurred, simplified head and plain gray background.
History & Provenance
Originally created as a study for 'Handmaid of the Lord', this drawing's provenance and creation date are not specified in the provided information.
Context
This study reflects Sargent's interest in capturing the play of fabric, a theme also explored in his oil portraits, such as those found at the National Gallery of Art, Washington.
Legacy
As a preparatory study, it offers insight into Sargent's creative process, highlighting his ability to convey movement and texture through expressive, economical means.
Artist & collection
Artist
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.












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