Artwork

Guy Little Theatrical Photograph

Guy Little Theatrical Photograph, by Edward Smith, photographic, 1887
Guy Little Theatrical Photograph, by Edward Smith, photographic, 1887

Guy Little Theatrical Photograph is a photographic photography by the Impressionist artist Edward Smith. It dates from 1887 and is held in the collection of the Victoria and Albert Museum.

About this work

This 1887 photograph is one of many actor portraits made during the Victorian era. Edward Smith captured Phyllis Broughton in costume, though her exact role isn’t known.

These small portraits were called *cartes de visite*. They fit in albums and helped actors get work. Later, sturdier *cabinet cards* replaced them.

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Overview

This 1887 photograph, part of the Victoria and Albert Museum's collection, depicts Phyllis Broughton in an unidentified theatrical role, captured by photographer Edward Smith.

Subject & Meaning

The subject, Phyllis Broughton, is portrayed in costume, though the specific role remains unknown. Such photographs served as professional tools for actors, aiding in securing employment.

Technique & Style

The image is an albumen print from a glass negative, mounted on stiff card backing, characteristic of 'cartes de visite', a popular format during the Victorian era.

History & Provenance

Originally part of a 'cartes de visite' collection, the photograph was later mounted in an album by Guy Tristram Little, who bequeathed his collection to the V&A upon his death in 1953.

Context

Created during the heyday of 'cartes de visite' (patented in 1854 and prevalent in the 1860s), this photograph reflects the Victorian era's fascination with photography and theatrical culture.

Legacy

Now housed at the Victoria and Albert Museum, the photograph contributes to the museum's extensive Theatre Collections, initially founded on Mrs. Gabrielle Enthoven's theatrical collection, for which Guy Little served as solicitor and executor.

Artist & collection

Artist

Edward Smith

Edward Smith spent his days behind a camera in late-1800s London, chasing the flicker of footlights instead of mountain peaks.