Artwork

Chez Maxime

Chez Maxime, by Théophile Alexandre Steinlen, ink, 1891
Chez Maxime, by Théophile Alexandre Steinlen, ink, 1891

Chez Maxime is an ink drawing by the Impressionist artist Théophile Alexandre Steinlen. It dates from 1891 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1891, *Chez Maxime* is a drawing by Théophile Alexandre Steinlen. Executed with pen, brush, black ink, and a gray wash applied over blue and black chalk, the work measures a modest size typical of Steinlen’s intimate studies. It reflects the decorative sensibilities of the late nineteenth‑century Art Nouveau movement.

Subject & Meaning

The composition depicts an interior scene, likely a modest domestic setting, rendered with careful attention to everyday detail. While Steinlen is known for socially charged imagery, this piece focuses on the quiet atmosphere of private life, offering a glimpse into the quotidian rather than overt political commentary.

Technique & Style

Steinlen combines linear pen work with fluid brushstrokes, using black ink to define forms and a gray wash to model volume. The underlying blue and black chalk provides a subtle tonal foundation. The drawing’s sinuous lines and stylized organic motifs align it with the characteristic aesthetics of Art Nouveau.

History & Provenance

The drawing was produced during Steinlen’s early career, a period when he was establishing his reputation in Parisian artistic circles. It later entered private collections before being acquired by a museum specializing in French graphic art, where it remains on view as part of the institution’s representation of late‑19th‑century drawing.

Artist & collection

Portrait of Théophile Alexandre Steinlen

Artist

Théophile Alexandre Steinlen

Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with the anarchist and socialist press.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.