Artwork
The Boulevard des Italiens

The Boulevard des Italiens is a print by the Impressionist artist Honoré Daumier. It dates from 1862 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
Honoré Daumier’s 1862 print titled *The Boulevard des Italiens* is part of the Cleveland Museum of Art’s collection. Executed as a monochrome sketch, the work captures a bustling Parisian street scene with a focus on the figures that populate it.
Subject & Meaning
The composition presents a crowd of well‑dressed pedestrians: men in tall black hats and tailored suits, and a woman holding a fan who appears disengaged. By emphasizing the varied postures and expressions, Daumier offers a candid glimpse into urban life, highlighting both fashion and the anonymity of the modern city.
Technique & Style
Rendered in swift, gestural lines without colour, the print relies on contrast and shading to convey depth. Facial features are deliberately exaggerated—prominent noses, pronounced chins—underscoring Daumier’s satirical approach and aligning the work with the realist impulse to depict everyday reality rather than idealized beauty.
History & Provenance
Created in 1862, the print entered the Cleveland Museum of Art’s holdings through acquisition (specific details of purchase are not recorded in the available sources). It remains a representative example of Daumier’s mid‑century output.
Context
*The Boulevard des Italiens* reflects the mid‑nineteenth‑century fascination with Parisian street life, a theme explored by many realist artists. Daumier’s focus on ordinary people and his use of caricature place the work within the broader movement that sought to document the social fabric of contemporary France.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

















