The Marriage of Angelica and Medoro

Characteristic of the late Italian Rococo, the etching features expressive lines that convey movement and emotion, notably in the standing figure’s posture. The technique highlights the paper’s texture and the artist’s hand, adding a tactile quality to the work.

Created in 1766, the etching is a product of Giovanni Domenico Tiepolo’s career as a printmaker and painter, distinguishing him as a versatile artist of his time. The work’s provenance is not detailed here, reflecting the focus on the artwork itself.

This etching exemplifies the late Italian Rococo’s emphasis on ornate detail and dramatic narrative scenes, adapted to the intimate scale of printmaking. It also reflects the era’s interest in illustrating literary classics like *Orlando Furioso*.

While specific influence or notable exhibitions of *The Marriage of Angelica and Medoro* are not highlighted, the work contributes to the broader appreciation of Giovanni Domenico Tiepolo’s printmaking skills and the enduring appeal of *Orlando Furioso* illustrations in art.