Farfurie de formă aplatizată, cu fund larg și buză ușor concavă spre interior; piesa este angobată pe fața interioară cu un strat de humă albă peste care este pictat cu cornul și cu pensula, cu contur din linii fine de culoare maro, decorul format din motive florale și fitomorfe stilizate: central pe fundul farfuriei este pictată o tulpină cu trei boboci, unul galben, ceilalți doi de culoare albastră, și frunze verzi. Buza farfuriei este decorată cu patru motive florale și vegetale dispuse simetric și separate de patru motive mici formate din linii hașurate intersectat, de culoare maro. Suprafața ornamentată a farfuriei este acoperită cu un strat de smalț transparent. Cromatica: alb, maro, albastru, verde, galben.

The decoration was applied by hand using fine brushes and brown outlines to define each form. Colors were laid over a white slip base, then sealed with clear glaze, preserving vibrancy. The absence of shading or chiaroscuro indicates a flat, linear approach typical of folk pottery, where clarity and repetition take precedence over naturalistic depth. The precision of the lines reveals skilled, deliberate execution.

This plate belongs to a tradition of Central or Eastern European ceramic ware, likely produced in a local workshop during the late 19th or early 20th century. Its form and decoration align with regional styles that preserved indigenous motifs despite industrialization. The wear on the surface suggests regular domestic use, indicating it was part of everyday tableware rather than ceremonial display.

In rural households of the period, such plates served both functional and aesthetic roles. Their designs often echoed embroidery patterns or wall paintings, linking domestic ceramics to broader folk art practices. The use of durable glaze and simple, repeatable motifs allowed for mass production while retaining handcrafted character, bridging utility and cultural expression.

This plate exemplifies a vanishing craft tradition where pottery was shaped by local materials and inherited patterns. Its survival offers insight into pre-industrial domestic life, where beauty was integrated into daily objects. Today, such pieces are preserved as cultural artifacts, valued for their testimony to regional identity and artisanal continuity.