Farfurie mare adâncă, cu corp tronconic, buză lată evazată și muchia buzei profilată; este acoperită pe suprafața interioară cu un strat de angobă albă, peste care este pictat cu cornul și cu pensula decorul format din motive vegetale, dispuse astfel: centrul farfuriei conține un motiv stelar pictat cu contur verde, decorat în interior cu romburi verzi și cu puncte mici maro și care are în colțuri grupuri de frunze duble de formă ovală, unele umplute cu culoare verde, altele cu puncte mici maro. Buza farfuriei este decorată cu o ghirlandă continuă formată prin repetarea aceluiaș motiv vegetal (grupuri de frunze duble) regăsit pe centrul farfuriei. Farfuria este acoperită pe suprafața ornamentată cu un strat de smalț transparent. Cromatica: alb, verde, maro.

The design was executed with a brush and a horn tool, leaving visible brushstrokes beneath the clear glaze. The patterns are hand-drawn, not stamped, resulting in subtle irregularities that attest to artisanal production. The use of engobe as a ground layer and the precise alignment of leaf clusters indicate a developed local tradition, balancing symmetry with organic variation in execution.

This piece belongs to a regional ceramic tradition from Eastern Europe, likely produced in the 18th or 19th century. Similar vessels have been documented in rural households and ethnographic collections, particularly in present-day Romania. Its preservation suggests it was used in domestic settings rather than ceremonial contexts, reflecting everyday aesthetic values of the time.

Produced in a pre-industrial setting, such ceramics were made by local potters using earthenware clay and natural pigments. The absence of figural imagery and the focus on vegetal forms align with broader folk traditions that avoided religious or human motifs. The dish’s functional form and durable glaze indicate practical use in food service, while its decoration expressed cultural affinity with the natural world.

This vessel exemplifies a regional ceramic style preserved in ethnographic archives, notably in the Museum of Ethnography. Its design elements—repeating leaf motifs, earth-tone palette, and hand-painted execution—continue to inform contemporary interpretations of traditional pottery. Though no longer in widespread production, its aesthetic remains a reference point for studies of rural craft and material culture.