Formă tronconică; fond alb; culori: verde. În centru vasului este amplasată o frunză stilizată de culoare verde. Pe peretele vasului sînt dispuse trei ramuri de brad de culoare verde. Folosită la decorarea interiorului țărănesc în așa numita - cameră bună.

Painted by hand with crude brushes or reed tools, the green motifs appear unpolished, their lines uneven and spontaneous. The pigment, likely mineral-based, sits lightly on the clay surface, showing wear consistent with use. The contrast between the muted background and bold green forms emphasizes simplicity over detail, reflecting a vernacular aesthetic rooted in practicality and local materials.

Produced in a rural ceramic tradition, likely in the late 19th or early 20th century, this bowl was part of everyday domestic life rather than elite art production. Its survival suggests it was valued enough to be preserved, possibly in the ceremonial 'good room' of a peasant household. Similar pieces are documented in regional ethnographic collections, though this specific object’s origin remains unrecorded.

In traditional Romanian households, the 'good room' served as a space for guests and special occasions, often decorated with handmade objects that signaled identity and care. This bowl, though unassuming, contributed to that atmosphere—its green motifs echoing the surrounding landscape and reinforcing a connection between the interior and the natural world beyond the home.

Though not widely known outside regional collections, such objects represent a quiet continuity in folk art traditions. They challenge distinctions between utility and art, offering insight into how ordinary people imbued daily life with symbolic meaning. Today, institutions like the Museum of Ethnography preserve these items as records of non-elite cultural expression.