Artwork

明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy

明   十竹齋書畫譜   四開|Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy, by Unknown, ink, 1633
明   十竹齋書畫譜   四開|Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy, by Unknown, ink, 1633

明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy is an ink print by the Baroque artist Unknown. It dates from 1633 and is held in the collection of the Metropolitan Museum of Art. This is a single leaf from 'The Ten Bamboo Studio Manual of Painting and Calligraphy', a 17th-century printed book.

About this work

Overview

This is a single leaf from 'The Ten Bamboo Studio Manual of Painting and Calligraphy', a 17th-century printed book. The leaf features a simple, softly rendered natural scene executed primarily in black ink with subtle color accents on aged, light-toned paper.

Subject & Meaning

The illustration depicts a serene natural vignette: a bird perched on a thin branch and a grasshopper on the ground amidst wild plants with small flowers. The composition conveys a sense of tranquility and harmony with nature, typical of traditional Chinese aesthetics.

Technique & Style

The artwork is characterized by soft black ink lines, minimal color usage, and the absence of heavy shading, suggesting an emphasis on delicacy and simplicity. A red stamp indicates its instructional purpose, implying the piece demonstrates techniques for students.

History & Provenance

Printed in the 1600s as part of an educational set, the leaf's creator remains anonymous due to the lack of a signature. Its inclusion in 'The Ten Bamboo Studio Manual' suggests it was intended to guide learners in painting and calligraphy.

Context

The piece reflects the Ming dynasty's (1368-1644) cultural emphasis on naturalism and the educational role of printed manuals in disseminating artistic techniques during this period.

Artist & collection

Artist

Unknown

entity whose identity is not known