Artwork

Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia

Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia, by Unknown, 1476
Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia, by Unknown, 1476

Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia is a drawing by the Renaissance artist Unknown. It dates from 1476 and is held in the collection of the Cleveland Museum of Art. The work is a hand‑drawn opening page from Book IX of Valerius Maximus’s *Facta et dicta memorabilia*.

About this work

Overview

The work is a hand‑drawn opening page from Book IX of Valerius Maximus’s *Facta et dicta memorabilia*. Executed as a single sheet, it combines two colored vignettes with a block of antiquated script that is partially illegible. The composition functions as both an illustration and a textual introduction to the manuscript.

Subject & Meaning

The left vignette portrays a gathering of figures within an interior space, suggesting a communal or deliberative scene. The right vignette focuses on an individual clad in a blue garment patterned with white, positioned before an assembled group, perhaps indicating a speaker or authority figure delivering a narrative.

Technique & Style

The drawings employ a Renaissance‑inspired visual language, characterized by careful modeling, precise line work, and a palette of vivid hues. The intricate detailing of clothing, architecture, and gestures reflects the period’s emphasis on realism and decorative richness.

History & Provenance

Created as part of a manuscript copy of Valerius Maximus, the page likely dates from a later Renaissance workshop that reproduced classical texts. Its exact origin and ownership trail remain undocumented, though the style aligns with Northern European manuscript illumination of the 15th–16th centuries.

Context

*Facta et dicta memorabilia* is a collection of moral anecdotes from antiquity, widely used in humanist education. Illustrating such works was common in Renaissance studios, where visual commentary aided the study of classical moral exempla.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.