Who painted Shiva riding on Nandi?

Shiva riding on Nandi was painted by Unknown in 1850.

Where can I see Shiva riding on Nandi?

Shiva riding on Nandi is held by Victoria and Albert Museum.

What movement is Shiva riding on Nandi?

Shiva riding on Nandi is associated with Impressionism.

Artwork

Shiva riding on Nandi

Unknown , 1850

Shiva riding on Nandi is a paint painting by the Impressionist artist Unknown. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This 19th-century Indian painting, circa 1850, portrays a central deity figure with multiple limbs astride a bull, set against a serene light yellow background. The composition conveys a sense of peacefulness, with the deity's calm expression and halo contributing to the overall serene atmosphere.

Subject & Meaning

The subject is identified as Shiva, a major Hindu deity, characterized by five heads (not all visible in this pose) and ten arms, each hand holding a distinct object symbolic of his attributes. The bull, Nandi, is Shiva's traditional mount, reinforcing the figure's identity.

Technique & Style

Executed in a style that emphasizes detail and realism, the painting features intricate renderings of the deity's arms, the bull's posture, and accessories like the bell around Nandi's neck. The use of a limited color palette (notably white for the robe and bull, against a light yellow background) enhances the calm ambiance.

History & Provenance

Originally part of the Department of Engraving, Illustration & Design under reference RP 51/2237, this painting is one of two surviving deity drawings from its source, later transferred to its current collection.

Context

While the painting's style might suggest a realism influence, its subject matter and execution are deeply rooted in traditional Indian religious art, specifically depictions of Hindu deities. The peaceful portrayal reflects the serene aspects of Shiva's character.

Legacy

As one of the few surviving works of its kind from the period, this painting provides valuable insight into 19th-century Indian religious art practices and the enduring representation of Shiva in Hindu iconography.