Who painted Suramananda Raga?

Suramananda Raga was painted by Unknown in 1700.

Where can I see Suramananda Raga?

Suramananda Raga is held by Victoria and Albert Museum.

What movement is Suramananda Raga?

Suramananda Raga is associated with Baroque.

Artwork

Suramananda Raga

Unknown , 1700

Suramananda Raga is a paint painting by the Baroque artist Unknown. It dates from 1700 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This early‑18th‑century Ragamala painting, executed in opaque watercolour on paper, visualises the Suramananda raga. The composition centers on two princely figures locked in combat, each equipped with a sword and a shield, set against a plain red field that recedes into a dark horizon.

Subject & Meaning

The scene illustrates the musical mode Suramananda by portraying a duel between two warriors, a common allegorical device in Ragamala iconography. The opposing postures—one figure thrusting a curved sword, the other bracing with a raised blade—symbolise the dynamic tension and resolution inherent in the raga’s melodic structure.

Technique & Style

Rendered with opaque watercolours, the work employs vivid pigments—bright orange, yellow, and deep red—contrasting with the simplified bodily forms. Detailed facial features and intricate jewelry are rendered with fine brushwork, while the figures’ garments and feathered headdresses are stylised, reflecting the decorative conventions of Mughal‑influenced court painting.

History & Provenance

Created circa 1700 by an unidentified artist, the piece belongs to the broader corpus of Indian Ragamala series that linked visual art with classical music. Its provenance traces to the collection of the Victoria and Albert Museum, where it is catalogued among other South Asian paintings of the period.

Context

Ragamala paintings served as visual guides to musical modes, often commissioned for aristocratic patrons. The Suramananda raga, associated with heroic or martial themes, is here depicted through the narrative of a princely duel, aligning the auditory qualities of the raga with the visual drama of combat.