Artwork
Profile of a Woman's Head (recto) A Kitchen Maid (verso)

Profile of a Woman's Head (recto) A Kitchen Maid (verso) is a drawing by the Renaissance artist Alessandro Casolani. It dates from 1504 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
This dual-sided drawing by Alessandro Casolani, dated circa 1504, features two distinct female portraits: a profile view on the recto and a rear view on the verso. Currently housed at The Cleveland Museum of Art, the work is rendered in expressive pencil marks on a worn, light brown paper.
Subject & Meaning
The recto depicts a woman with a pronounced profile, characterized by a small, high forehead and a pointed chin, her hair secured by a ribbon. In contrast, the verso shows the back of a woman with a rounder face and a curly, high hairstyle. The juxtaposition of these two views may highlight the artist's exploration of female representation.
Technique & Style
Casolani employed pencil to create deep, expressive lines on a light brown, aged paper. The medium allowed for nuanced shading and texture, particularly evident in the hair and facial contours of both subjects. The worn, torn edges of the paper underscore the drawing's antiquity.
History & Provenance
Created around 1504 by Italian Renaissance painter Alessandro Casolani, the drawing's history prior to its acquisition by The Cleveland Museum of Art is not detailed here. Its current preservation ensures its availability for study and appreciation.
Context
Emerging from the Italian Renaissance, this work reflects the period's emphasis on detailed, realistic portraiture. Casolani's use of pencil for such nuanced studies was characteristic of artists preparing for or exploring ideas outside of final, painted works.
Artist & collection
Artist
Alessandro Casolani (1552–1606), also called Alessandro della Torre, was an Italian painter of the late-Renaissance period, active mainly in Siena.











