Who painted H Beard Print Collection?

H Beard Print Collection was painted by Jacques-André-Joseph Aved in 1750.

Where can I see H Beard Print Collection?

H Beard Print Collection is held by Victoria and Albert Museum.

Artwork

H Beard Print Collection

H Beard Print Collection is a print by Jacques-André-Joseph Aved. It dates from 1750 and is held in the collection of the Victoria and Albert Museum.

About this work

This print is from the H Beard Print Collection by Jacques-André-Joseph Aved.
It depicts Catherine de Seine, also known as Mrs Quinault-Dufresne, and is held at the Victoria and Albert Museum.
The print is from the 18th century, giving us a glimpse into the past.
To learn more about the style and technique of this era, look up the artist Jacques-André-Joseph Aved.

Overview

This 18th‑century print, part of the H Beard Print Collection, portrays Catherine de Seine, who was also known as Mrs Quinault‑Dufresne. The work is attributed to the French artist Jacques‑André‑Joseph Aved and is currently in the collection of the Victoria and Albert Museum.

Subject & Meaning

Catherine de Seine, a figure of French society, is rendered in a portrait format that emphasizes her status and personal attributes. The identification of the sitter by name reflects the period’s interest in documenting notable individuals through print media.

Technique & Style

Aved employed the printmaking methods common in the mid‑1700s, likely utilizing engraving or etching techniques to achieve fine line work and tonal variation. The composition follows the conventions of contemporary portrait prints, balancing detail with a restrained decorative approach.

History & Provenance

The print entered the H Beard Print Collection, a private assemblage of works on paper, before being acquired by the Victoria and Albert Museum. Its documented provenance traces back to the artist’s workshop in Paris, where Aved was active during the Rococo period.

Context

Created during a time when printed portraits were widely circulated among the European elite, the image reflects the broader cultural practice of commemorating social figures through reproducible art forms. Such prints served both as personal memorabilia and as a means of disseminating fashionable likenesses.