Artwork
The Haul (Le coup de filet)
The Haul (Le coup de filet) is an ink print by Paul-Albert Besnard. It dates from 1900 and is held in the collection of the National Gallery of Art.
About this work
Overview
Albert Besnard’s print The Haul (Le coup de filet) is an early‑twentieth‑century etching, executed in 1900 on Van Gelder Zonen wove paper. The work presents a compact composition that captures a moment of labor on the water, rendered in monochrome tones typical of the medium.
Subject & Meaning
The image depicts two figures engaged in pulling a net brimming with fish. The composition emphasizes the physical exertion and urgency of the task, suggesting the harsh realities of a fishing livelihood without romanticizing the scene.
Technique & Style
Created through the etching process, the work features irregular, scratchy lines that convey movement and texture. The rapid, uneven strokes evoke the turbulence of water and the hurried actions of the workers, aligning the visual language with the subject’s dynamism.
History & Provenance
The Haul was produced at the turn of the century, a period when Besnard explored printmaking alongside his painting practice. It remains documented as part of his early print output, though specific ownership records beyond its initial exhibition are limited.
Artist & collection
Artist
Paul-Albert Besnard (1849–1934) was a French artist, born in 7th arrondissement of Paris.
Vertigo (Le vertige)
The Accident (L'accident)
Die Opferung Isaacs (The Sacrifice of Isaac)
Indifferent (Indifférente)
The Mill-Pond
The Parable of the Sower (Le Semeur de Paraboles)
Charitable
Love Consecrated (Elle consacre l'amour)
Possession (La possession)
On the Beach
On the Lookout (Aux aguets)
Cast of a Net (Le coup de filet)