Who painted The Death of Sapphira?

The Death of Sapphira was painted by Jan de Bisschop in 1660.

Where can I see The Death of Sapphira?

The Death of Sapphira is held by National Gallery of Art.

What movement is The Death of Sapphira?

The Death of Sapphira is associated with Baroque.

Artwork

The Death of Sapphira

Jan de Bisschop , 1660

The Death of Sapphira is a paint drawing by the Baroque artist Jan de Bisschop. It dates from 1660 and is held in the collection of the National Gallery of Art.

About this work

Overview

The Death of Sapphira is a 1660 drawing by Jan de Bisschop, a Dutch Golden Age artist who transitioned from law to art. Executed in brush and brown wash with black and red chalk on laid paper, the work exemplifies Bisschop's interest in historical and biblical themes.

Subject & Meaning

The drawing depicts a dramatic scene from the biblical account of Sapphira, who met a sudden death as punishment for deceit (Acts 5:1-11). The composition conveys chaos and emotional turmoil through the poses of the two main figures: one collapsing in the foreground, arms outstretched, and another standing, hands raised towards the sky.

Technique & Style

Bisschop achieved a sense of urgency in the drawing through sketchy lines and a predominantly brown and black color palette, with subtle accents of red chalk. The rough, expressive quality of the work contrasts with the refined draftsmanship characteristic of his training and the Dutch intellectual-artistic circles he frequented.

History & Provenance

Created in 1660, The Death of Sapphira reflects Bisschop's integration into a network of Dutch artists and intellectuals valuing classical and biblical subjects. Specific provenance details are not provided in the available information.

Context

This work is contextualized within the broader Baroque art movement, notable for its dramatic lighting and intense emotions, though Bisschop's monochromatic approach here lends a unique, subdued intensity to the scene.

Legacy

While The Death of Sapphira may not be widely recognized beyond specialized art historical circles, it contributes to the understanding of 17th-century Dutch engagement with biblical narratives through art. Its style and theme place it alongside other Baroque works exploring dramatic religious subjects.