Who painted The Raising of Lazarus?

The Raising of Lazarus was painted by Unknown in 1701.

Where can I see The Raising of Lazarus?

The Raising of Lazarus is held by National Gallery of Art.

What movement is The Raising of Lazarus?

The Raising of Lazarus is associated with Baroque.

Artwork

The Raising of Lazarus

Unknown , 1701

The Raising of Lazarus is an ink drawing by the Baroque artist Unknown. It dates from 1701 and is held in the collection of the National Gallery of Art. The work is a pen and brown‑ink drawing on prepared laid paper, enhanced with brown wash and touches of white.

About this work

Overview

The work is a pen and brown‑ink drawing on prepared laid paper, enhanced with brown wash and touches of white. It depicts a crowded, turbulent moment in which a group of figures surrounds a prone man, their gestures ranging from pointing upward to expressions of alarm. Architectural elements—a building with columns and a dome—frame the scene, contributing to its dramatic composition.

Subject & Meaning

The central figure appears to be a man lying on the ground, likely representing the biblical Lazarus at the moment of his resurrection. The surrounding onlookers, caught in various states of shock and curiosity, emphasize the miraculous nature of the event and the communal response to a divine intervention.

Technique & Style

The artist employs rapid, sketchy lines to convey movement and emotional intensity, creating a sense of immediacy. Contrasting brown washes with highlighted white areas generate a strong chiaroscuro effect, reinforcing the urgency and depth of the scene. The handling of ink and wash reflects a Baroque sensibility toward dynamic composition and dramatic lighting.

Context

Executed as a preparatory or standalone study, the drawing illustrates the artist’s interest in rendering complex narrative moments with expressive line work. Its emphasis on gesture and atmosphere aligns with broader 17th‑century artistic trends that favored theatricality and emotional engagement in religious subjects.