Who painted The Good Samaritan?

The Good Samaritan was painted by Rodolphe Bresdin in 1861.

Where can I see The Good Samaritan?

The Good Samaritan is held by National Gallery of Art.

What movement is The Good Samaritan?

The Good Samaritan is associated with Impressionism.

Can I buy a print of The Good Samaritan?

Museum-quality prints of The Good Samaritan are available made-to-order from Artifact World Gallery.

Artwork

The Good Samaritan

Rodolphe Bresdin , 1861

The Good Samaritan is an ink print by the Impressionist artist Rodolphe Bresdin. It dates from 1861 and is held in the collection of the National Gallery of Art.

About this work

Overview

The image conveys a subdued, tense atmosphere through its careful arrangement of natural elements and human drama.

Created in 1861, this lithographic print depicts the biblical parable of the Good Samaritan. Rendered in black ink on wove paper, the composition centers on a kneeling figure attending to an injured traveler beside a narrow road, surrounded by dense foliage and a distant, cloud‑filled sky. The image conveys a subdued, tense atmosphere through its careful arrangement of natural elements and human drama.

Subject & Meaning

The work visualizes the moment of compassion from the New Testament story, emphasizing the act of aid rendered by the Samaritan to the wounded man. By placing the figures amid an overgrown landscape, the artist underscores the isolation of the scene and the moral significance of kindness emerging from an otherwise indifferent environment.

Technique & Style

Executed as a lithograph, the piece showcases the artist’s mastery of line and tonal variation. Fine, hand‑drawn strokes render leaves, stones, and birds, while broader, rougher lines define the figures and terrain. The contrast between delicate detailing and more gestural shading creates a sense of depth and vitality within the monochrome medium.

History & Provenance

The French draughtsman Rodolphe Bresdin, born in 1822, produced this print during a turbulent phase marked by financial hardship and personal instability. Though associated with the bohemian circles of mid‑19th‑century Paris, including literary figures such as Baudelaire and Hugo, the work remained relatively obscure at the time of its creation.

Context

Bresdin’s reputation rested on intricate, fantastical drawings, and this lithograph reflects his penchant for densely populated scenes filled with minute natural details. The choice of a biblical narrative aligns with contemporary interests in moral subjects, while the technical execution demonstrates the artist’s engagement with the lithographic process, which was gaining popularity among Parisian printmakers.