Who painted Plan and Elevation of the Church of Saints James and John?

Plan and Elevation of the Church of Saints James and John was painted by Jacques Callot in 1619.

Where can I see Plan and Elevation of the Church of Saints James and John?

Plan and Elevation of the Church of Saints James and John is held by National Gallery of Art.

What movement is Plan and Elevation of the Church of Saints James and John?

Plan and Elevation of the Church of Saints James and John is associated with Baroque.

Artwork

Plan and Elevation of the Church of Saints James and John

Jacques Callot , 1619

Plan and Elevation of the Church of Saints James and John is an ink print by the Baroque artist Jacques Callot. It dates from 1619 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1619, the work is a print that combines etching and engraving on laid paper to depict a planar and elevation view of the Church of Saints James and John. The image presents a precise architectural study, rendered in fine black lines with subtle shading that conveys depth and three‑dimensional form.

Subject & Meaning

The print illustrates the layout and façade of a Baroque church, highlighting its central dome, frontal cross, and a series of columns and arches. By presenting both plan and elevation, the image serves as a visual record of the building’s design, reflecting contemporary interest in documenting sacred architecture.

Technique & Style

The artist employed a combination of etching and engraving, allowing for both delicate line work and sharper, controlled strokes. The resulting image is characterized by meticulous detailing and a formal, classical composition typical of early 17th‑century Baroque printmaking, where precision coexists with expressive line quality.

History & Provenance

The print originates from the output of a French printmaker active in the Duchy of Lorraine, who produced numerous works that recorded religious structures and everyday scenes. This particular piece is a restrike, indicating it was reproduced from an original plate after the initial impression.

Context

During the early Baroque period, architects and artists often created printed plans to disseminate architectural ideas and promote patronage. The work fits within a broader tradition of visual documentation that aided both the planning process and the wider appreciation of ecclesiastical architecture across Europe.