Who painted Elevation of the Church of the Holy Manger?

Elevation of the Church of the Holy Manger was painted by Jacques Callot in 1619.

Where can I see Elevation of the Church of the Holy Manger?

Elevation of the Church of the Holy Manger is held by National Gallery of Art.

What movement is Elevation of the Church of the Holy Manger?

Elevation of the Church of the Holy Manger is associated with Baroque.

Artwork

Elevation of the Church of the Holy Manger

Jacques Callot , 1619

Elevation of the Church of the Holy Manger is an ink print by the Baroque artist Jacques Callot. It dates from 1619 and is held in the collection of the National Gallery of Art.

About this work

Overview

Elevation of the Church of the Holy Manger is a print created by Jacques Callot in 1619 using etching and engraving techniques on laid paper. It is one of over 1,400 etchings produced by the artist, showcasing his skill in printmaking.

Subject & Meaning

The print presents front and side elevations of a church, annotated with Italian labels identifying specific features such as 'Altare della Circuncisione'. The detailed depiction and labeling suggest the work is intended as a documentary or informative representation of the church's architecture.

Technique & Style

The print combines etching and engraving, demonstrating Callot's technical proficiency. The dense, detailed lines evoke a sense of precision, similar to architectural plans or blueprints.

Context

As a work by a French artist from the Duchy of Lorraine, Elevation of the Church of the Holy Manger reflects Callot's practice of documenting contemporary subjects, including religious themes and architectural scenes.