Artwork

The Assumption

The Assumption, by Jacques Callot, ink, 1610
The Assumption, by Jacques Callot, ink, 1610

The Assumption is an ink print by the Baroque artist Jacques Callot. It dates from 1610 and is held in the collection of the National Gallery of Art.

About this work

Overview

The Assumption is a 1610 engraving on laid paper by Jacques Callot, a prominent French Baroque printmaker and draftsman from Lorraine.

Subject & Meaning

The engraving depicts the Assumption of the Virgin Mary, with Mary ascending to heaven, surrounded by awestruck onlookers, a kneeling figure in reverence, and a divine backdrop of clouds and angels, conveying reverence and devotion.

Technique & Style

Callot employed cross-hatching to achieve texture and depth, while strategic light and shadow guide the viewer's focus to the central figure, exemplifying his mastery of old master print techniques.

History & Provenance

Created in 1610, this work is characteristic of Callot's religious imagery output within his broader themes of contemporary life, including soldiers, court scenes, and landscapes.

Context

The Assumption reflects the religious themes prevalent in Baroque art, alongside Callot's contribution to advancing printmaking techniques of his time.

Legacy

As part of Callot's oeuvre, The Assumption contributes to his legacy as a leading Baroque printmaker, influencing subsequent generations in both religious and secular print subjects.

Artist & collection

Portrait of Jacques Callot

Artist

Jacques Callot

Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.