Artwork
The Assumption

The Assumption is an ink print by the Baroque artist Jacques Callot. It dates from 1610 and is held in the collection of the National Gallery of Art.
About this work
Overview
The Assumption is a 1610 engraving on laid paper by Jacques Callot, a prominent French Baroque printmaker and draftsman from Lorraine.
Subject & Meaning
The engraving depicts the Assumption of the Virgin Mary, with Mary ascending to heaven, surrounded by awestruck onlookers, a kneeling figure in reverence, and a divine backdrop of clouds and angels, conveying reverence and devotion.
Technique & Style
Callot employed cross-hatching to achieve texture and depth, while strategic light and shadow guide the viewer's focus to the central figure, exemplifying his mastery of old master print techniques.
History & Provenance
Created in 1610, this work is characteristic of Callot's religious imagery output within his broader themes of contemporary life, including soldiers, court scenes, and landscapes.
Context
The Assumption reflects the religious themes prevalent in Baroque art, alongside Callot's contribution to advancing printmaking techniques of his time.
Legacy
As part of Callot's oeuvre, The Assumption contributes to his legacy as a leading Baroque printmaker, influencing subsequent generations in both religious and secular print subjects.
Artist & collection
Artist
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.







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