Who painted The Glorification of St. Felix and St. Adauctus?

The Glorification of St. Felix and St. Adauctus was painted by Carlo Carlone in 1759.

Where can I see The Glorification of St. Felix and St. Adauctus?

The Glorification of St. Felix and St. Adauctus is held by National Museum of Western Art.

What movement is The Glorification of St. Felix and St. Adauctus?

The Glorification of St. Felix and St. Adauctus is associated with Rococo painting.

Artwork

The Glorification of St. Felix and St. Adauctus

Carlo Carlone , 1759

The Glorification of St. Felix and St. Adauctus is an oil painting by the Rococo painting artist Carlo Carlone. It dates from 1759 and is held in the collection of the National Museum of Western Art.

About this work

Overview

Created in 1759 by the Italian artist Carlo Innocenzo Carlone, this oil painting belongs to the Rococo period and is part of the National Museum of Western Art’s holdings. The work presents a lively, ornamental scene that centers on the elevation of two saints, rendered with a swirling composition that draws the eye toward a luminous focal point.

Subject & Meaning

The composition celebrates the glorification of Saints Felix and Adauctus, shown as two robed figures bathed in a radiant halo. One saint reaches toward the other, suggesting a moment of divine endorsement or intercession. The surrounding clouds and swirling atmosphere reinforce the sense of heavenly ascent and spiritual elevation.

Technique & Style

Carlone employs bold, expressive brushwork that leaves a tactile surface, while a palette of deep blues, whites, beiges, and rich browns creates contrast. The use of chiaroscuro intensifies depth, with light spilling from the central halo to model the figures and accentuate the dramatic folds of their garments.

History & Provenance

The painting was executed during Carlone’s active period in the Holy Roman Empire, a time when he was known for both painting and engraving. After its completion, the work entered the collection of the National Museum of Western Art, where it remains accessible to scholars and the public.

Context

Situated within the Rococo movement, the piece reflects the era’s preference for dynamic movement, ornate detail, and lighthearted spirituality. Carlone’s Italian background combined with his work in Central Europe illustrates the cross‑regional exchange of artistic ideas that characterized mid‑18th‑century European art.