Artwork

鳥文斎栄之画 「青楼美撰合 初売座敷之図 扇屋滝川」|Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)

鳥文斎栄之画 「青楼美撰合 初売座敷之図 扇屋滝川」|Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), by Chôbunsai Eishi, ink, 1794
鳥文斎栄之画 「青楼美撰合 初売座敷之図 扇屋滝川」|Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), by Chôbunsai Eishi, ink, 1794

鳥文斎栄之画 「青楼美撰合 初売座敷之図 扇屋滝川」|Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase) is an ink print by the Romanticist artist Chôbunsai Eishi. It dates from 1794 and is held in the collection of the Metropolitan Museum of Art. This woodblock print, created around 1794, is part of a series by Chōbunsai Eishi, a Japanese ukiyo-e artist.

About this work

Overview

This woodblock print, created around 1794, is part of a series by Chōbunsai Eishi, a Japanese ukiyo-e artist. It depicts a scene from the pleasure quarters, showcasing the artist's skill in capturing the beauty of the era's courtesans.

Subject & Meaning

The print features a woman, likely a high-ranking courtesan, adjusting her hair. She is dressed in a flowing robe with intricate patterns, symbolizing her status and elegance. The plain background emphasizes her figure, highlighting the artist's focus on the subject.

Technique & Style

The artist employed careful lines to convey the texture and movement of the subject's clothing. The use of ink and color on paper allows for a range of tones and subtle shading, achieved through techniques such as cross-hatching, which creates depth and dimensionality.

History & Provenance

Chōbunsai Eishi, born into a samurai family, left his position with the Shōgun to pursue a career in art. This print is part of his series 'A Comparison of Selected Beauties of the Pleasure Quarters', showcasing his talent in ukiyo-e.

Artist & collection

Portrait of Chôbunsai Eishi

Artist

Chôbunsai Eishi

Chōbunsai Eishi (鳥文斎 栄之; 1756–1829) was a Japanese ukiyo-e artist. His last name was Hosoda (細田). His first name was Tokitomi (時富). His common name was Taminosuke (民之丞) and later Yasaburo (弥三郎). Pupil of Kano Eisen'in…