Artwork

Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce)

Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce), by Charles Hasslewood Shannon, unspecified, 1907
Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce), by Charles Hasslewood Shannon, unspecified, 1907

Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce) is an unspecified painting by the Post-Impressionist artist Charles Hasslewood Shannon. It dates from 1907 and is held in the collection of the Cleveland Museum of Art. The work depicts Miss Kathleen Bruce, later known as Lady Scott, seated in an elaborate chair before a darkened, foliage‑adorned screen.

About this work

Overview

The work depicts Miss Kathleen Bruce, later known as Lady Scott, seated in an elaborate chair before a darkened, foliage‑adorned screen. Her voluminous hoop skirt dominates the composition, spilling outward and merging with the surrounding decorative elements, while a modest bouquet rests on her lap.

Subject & Meaning

Although the sitter is identifiable, the original title, Souvenir of an "International Ball," emphasizes her role as a decorative figure rather than an individual portrait. The arrangement treats the woman as an ornamental object, her attire and surroundings forming a visual "bouquet" that underscores themes of elegance and social display.

Technique & Style

The artist employs loose, Titian‑inspired brushwork to render the soft texture of the fabric, achieving a tactile sense of materiality. A chiaroscuro effect models the figure against the shadowed screen, while the interplay of light and dark heightens the three‑dimensionality of the drapery and the surrounding foliage.

Context

Created during a period when the artist was aware of contemporary movements, the painting deliberately looks back to Renaissance masters, sharing this reverence with contemporaries such as Charles Ricketts and the teacher Alphonse Legros, who both advocated for a continuation of older artistic traditions.

Legacy

The portrait stands as an example of early twentieth‑century British painting that prioritizes decorative composition and historical technique over avant‑garde experimentation, illustrating the enduring influence of Renaissance models on later artists.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.