Artwork

Etchings of Paris: Title Page

Etchings of Paris:  Title Page, by Charles Meryon, 1852
Etchings of Paris:  Title Page, by Charles Meryon, 1852

Etchings of Paris: Title Page is a print by the Impressionist artist Charles Meryon. It dates from 1852 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Created in 1852, the Title Page of *Etchings of Paris* serves as the introductory leaf to Charles Meryon’s series of urban views. Executed in etched paper, the sheet bears a hand‑scratched title in uneven lettering, framed by a rough border that suggests frequent handling and the passage of time.

Subject & Meaning

The title page announces the series as *Gravures sur Paris par Chénery*, linking the work to Meryon’s pseudonym and emphasizing his focus on Parisian architecture. Its stark, jagged typography mirrors the artist’s Gothic sensibility, hinting at the somber, atmospheric perspective that characterizes the subsequent plates.

Technique & Style

Meryon, who worked almost exclusively in black‑and‑white etching due to his colour blindness, employed a direct, incised line that gives the lettering a raw, almost improvised quality. The uneven border and irregular edges reflect the hand‑cut nature of the plate, reinforcing the gritty, medieval tone that pervades his depictions of the city.

History & Provenance

Recognized as the preeminent French etcher of the nineteenth century, Meryon produced the *Etchings of Paris* series during a period of intense personal and artistic turmoil. The title page, as the first element of the set, has been preserved in museum collections and private holdings, illustrating the enduring interest in his uniquely Gothic portrayal of Paris.

Artist & collection

Portrait of Charles Meryon

Artist

Charles Meryon

Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.