Artwork

Greniers indigenes et habitations a Akaroa, presqu'Ile de Banks

Greniers indigenes et habitations a Akaroa, presqu'Ile de Banks, by Charles Meryon, graphite, 1860
Greniers indigenes et habitations a Akaroa, presqu'Ile de Banks, by Charles Meryon, graphite, 1860

Greniers indigenes et habitations a Akaroa, presqu'Ile de Banks is a graphite drawing by the Impressionist artist Charles Meryon. It dates from 1860 and is held in the collection of the National Gallery of Art.

About this work

Overview

Greniers indigenes et habitations a Akaroa, presqu'Ile de Banks is a 1860 graphite drawing on green wove paper by French artist Charles Meryon, depicting a rural indigenous village scene near Akaroa, Banks Peninsula.

Subject & Meaning

The drawing shows a small, serene indigenous village with thatched and bamboo huts, inhabited by people engaged in everyday activities amidst a natural backdrop of tall trees and water, capturing a moment of quiet, rural life.

Technique & Style

Executed in graphite on green wove paper, the work features soft, sketchy lines characteristic of travel drawings from the period, with Meryon's colour blindness potentially influencing the monochromatic choice.

History & Provenance

Created in 1860 by Charles Meryon, a prominent 19th-century French etcher (notably working in etching due to colour blindness), with recognition more established in France than in the English-speaking world.

Context

This piece aligns with the Realist movement's focus on everyday life, though its creation as a travel sketch also situates it within the tradition of documentary drawings from journeys.

Legacy

As part of Meryon's oeuvre, it contributes to his status as a significant 19th-century French etcher, despite his broader international recognition being somewhat limited.

Artist & collection

Portrait of Charles Meryon

Artist

Charles Meryon

Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.