Artwork

Untitled

Untitled, by Christopher Knowles, 1970
Untitled, by Christopher Knowles, 1970

Untitled is a drawing by Christopher Knowles. It dates from 1970 and is held in the collection of the Museum of Modern Art.

About this work

Overview

Created around 1970, this work consists of four typewritten sheets of paper, each bearing a partial list of 'Top 50' items from various years.

Created around 1970, this work consists of four typewritten sheets of paper, each bearing a partial list of 'Top 50' items from various years. The artist, Christopher Knowles, was a teenager at the time and produced the piece during a period when his unconventional use of language began to draw interest within New York’s experimental art scene. The work resists conventional narrative, instead presenting fragmented data as a quiet, repetitive meditation.

Subject & Meaning

The text comprises incomplete rankings—lists of popular songs, films, or other cultural items—that appear neither ordered nor annotated. Their incompleteness and lack of context suggest an internal logic rather than external communication. The work reflects Knowles’s preoccupation with systems of knowledge and the way language accumulates meaning through repetition, rather than through clarity or resolution.

Technique & Style

Knowles used a standard typewriter to produce dense, uniform blocks of text across four sheets. The mechanical precision of the typewriter contrasts with the seemingly arbitrary content, creating a tension between order and chaos. No corrections or edits are visible; the text is presented as found, not composed, reinforcing the sense of an automatic or obsessive process.

History & Provenance

The work emerged from Knowles’s early output in the early 1970s, when his writings were shared among artists and poets in downtown New York, including those connected to the Kitchen and the Poetry Project. It was not exhibited publicly until later, when his work gained recognition within the broader context of outsider art and language-based practices of the late 1970s and 1980s.

Context

Knowles’s typewritten lists align with contemporaneous explorations of text as visual material, such as those by Robert Barry or Lawrence Weiner, but differ in their personal, non-conceptual origin. His work was shaped by his neurodivergent perception of language and memory, offering an alternative to the intellectualized text art of the time by prioritizing internal rhythm over theoretical framework.

Legacy

This piece contributed to the reevaluation of non-traditional authorship in contemporary art. Knowles’s work, once marginalized, is now acknowledged as part of a broader shift toward recognizing the artistic value of autodidactic and neurodivergent expression. His typewritten lists continue to influence artists interested in the boundaries of language, repetition, and perception.

Artist & collection

Artist

Christopher Knowles

Christopher Knowles (born 1959) is an American poet and painter. He was born in New York City on May 4, 1959, and at an early age received a diagnosis of possible brain damage. He is often referred to as autistic. In…

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.