Christ Nailed to the Cross

As a woodcut, Dürer incised the design into a wooden block, then transferred ink onto paper by pressing. The resulting lines are crisp and incised, creating a sense of depth despite the binary black‑and‑white palette. The sharp contrasts and fine hatching evoke a three‑dimensional space within the flat medium.

Created in the early sixteenth century, the print belongs to Dürer’s series of religious works that circulated widely through printmaking. Its production on laid paper reflects the common practice of the period, allowing the image to reach a broader audience beyond original paintings.

The work aligns with Dürer’s broader engagement with Christian iconography, echoing themes found in his other prints such as the *Passion* series. By employing the reproducible woodcut technique, Dürer contributed to the dissemination of devotional imagery during the Reformation era.