Artwork

Assaut de la tribune

Assaut de la tribune, by Honoré Daumier, ink, 1849
Assaut de la tribune, by Honoré Daumier, ink, 1849

Assaut de la tribune is an ink print by the Romanticist artist Honoré Daumier. It dates from 1849 and is held in the collection of the National Gallery of Art.

About this work

Overview

Honoré Daumier’s lithograph *Assaut de la tribune* depicts a tumultuous episode inside a parliamentary chamber. Figures in formal attire jostle around a podium while a group of men on lower benches appear disengaged or conspiratorial. The composition is crowded, the atmosphere charged, and the scene is rendered with the exaggerated gestures typical of Daumier’s political satire.

Subject & Meaning

The print satirizes the conduct of legislators, portraying them as more concerned with posturing than with substantive debate. By juxtaposing frantic activity near the speaker’s platform with a languid waiting area below, Daumier highlights the disconnect between public spectacle and the underlying inertia of political discourse, offering a pointed commentary on the social dynamics of his era.

Technique & Style

Executed as a lithograph, the work relies on bold line work and stark contrasts to emphasize facial expressions and gestural exaggeration. Daumier’s deft handling of the medium allows rapid production of multiple copies, while the sharp caricatural details—such as the top‑hated figure feigning outrage—underscore his talent for visual humor and critique.

Context

Created during a period of heightened political unrest in mid‑19th‑century France, the image reflects the public’s growing cynicism toward parliamentary proceedings. Daumian’s series of political prints from this time frequently targeted the same institutions, situating *Assaut de la tribune* within a broader body of work that used satire to question authority and social conventions.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.