Artwork
Commission des bastonnades

Commission des bastonnades is an ink print by the Impressionist artist Honoré Daumier. It dates from 1855 and is held in the collection of the National Gallery of Art.
About this work
This lithograph shows a sharply dressed man facing two rough men with sticks. It’s set in a bare room with a table and papers.
Daumier made this in 1855 as part of a series. He used bold black lines to show tension. The scene hints at unfair power and rough justice.
If you like this bold style, check out Daumier, Honoré.
Overview
Honoré Daumier’s 1855 lithograph *Commission des bastonnades* depicts a stark courtroom tableau. A formally dressed individual stands opposite two coarse figures brandishing wooden batons, set against a sparse interior that includes a table strewn with documents. The composition captures a moment of confrontation, emphasizing the imbalance of power within a legal setting.
Subject & Meaning
The image juxtaposes the refined attire of the accused with the brutish presence of the enforcers, suggesting a critique of judicial processes that rely on intimidation rather than reasoned deliberation. By foregrounding the physical threat posed by the baton‑wielding men, Daumier underscores the precariousness of personal liberty when subjected to arbitrary authority.
Technique & Style
Executed in lithographic black‑and‑white, the work relies on bold, decisive lines to delineate figures and convey tension. Daumier’s handling of contrast—dense shading for the men’s clothing against the emptier background—heightens the drama. The economy of detail, typical of his print series, focuses the viewer’s attention on gesture and expression rather than ornamental setting.
History & Provenance
Created as part of a series of courtroom and police scenes produced in the mid‑1850s, the lithograph reflects Daumier’s ongoing engagement with contemporary social issues. Original impressions circulated among the artist’s Parisian audience, and later entered public collections, where they have been referenced in studies of 19th‑century French legal reform.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

















