Artwork
Expliquez-moi donc, monsieur Badoulard...

Expliquez-moi donc, monsieur Badoulard... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1851 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s 1851 lithograph *Expliquez‑moi donc, monsieur Badoulard…* depicts a cramped interior where three men engage in a lively exchange. The composition centers on a uniformed figure in a tall‑hat, arms crossed, while two plainly dressed interlocutors lean forward, gesturing and pointing, one clutching a paper. The drawing’s brisk, sketch‑like lines convey immediacy and tension.
Subject & Meaning
The print satirizes a heated discussion, likely a political or bureaucratic dispute, reflecting Daumier’s habit of critiquing authority figures. By juxtaposing a military officer with civilian challengers, the image underscores the clash between official power and popular opinion, a theme consistent with Daumier’s republican sympathies during a turbulent era in French politics.
Technique & Style
Executed in lithography, the work relies on rapid, gestural strokes that emphasize movement and emotional intensity. Daumier’s use of stark contrasts and minimal shading heightens the sense of a dimly lit room, while the loose line work suggests a spontaneous sketch rather than a polished finish, typical of his caricature practice.
History & Provenance
Created in 1851, the lithograph emerged amid Daumier’s prolific output for satirical journals such as *La Caricature* and *Le Charivari*. Though primarily known as a painter and sculptor, Daumier’s printmaking served as a vehicle for his social commentary, circulating widely in the press and influencing public opinion during the Second Republic.
Context
The early 1850s in France were marked by political instability, with the fall of the monarchy and the rise of republican ideas. Daumier’s work responded to this climate, targeting the military, aristocracy, and clergy—institutions perceived as upholding the old order. The lithograph thus functions as a visual critique of contemporary power structures.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

















