Artwork
L'Éducation au biberon
L'Éducation au biberon is an ink print by the Romanticist artist Honoré Daumier. It dates from 1838 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s lithograph *L’Éducation au biberon* was produced in 1838. The work belongs to the French artist’s prolific output of prints that blend social observation with comic exaggeration. Executed as a single‑sheet lithograph, it captures a fleeting domestic scene while simultaneously serving as a vehicle for Daumier’s broader critique of contemporary power structures.
Subject & Meaning
The image presents three figures in a poorly lit interior: a man wearing a turban cradles an infant feeding from a bottle, while a woman in a headscarf leans forward, gazing at the child. The cramped composition and informal pose suggest a private, perhaps uncomfortable moment, inviting viewers to consider the everyday realities of family life amid the artist’s satirical lens.
Technique & Style
Daumier employed a loose, sketch‑like line that conveys immediacy and spontaneity. The lithographic process allowed him to render rapid, gestural strokes, emphasizing texture and shadow in the dim room. This rough handling underscores the work’s informal quality, distinguishing it from more polished academic prints of the period.
Context
Created while Daumier was contributing to the satirical journals *La Caricature* and *Le Charivari*, the print reflects his habit of targeting the monarchy, aristocracy, and clergy with republican criticism. Though the scene appears domestic, its exaggerated details align with Daumier’s broader practice of using humor to comment on the social and political climate of early‑19th‑century France.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.
L'ouie
Old Woman and Child
Est-il joli!... ce chérubin!...
Hein! comme il regarde les cervelas...
Un nouveau nez
La Carotte de l'élection
Mother and Child, No. 1
An Unfortunate Family
End of a Romance
Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate)
Untitled
On flaire la marchandise... avant de la mécaniser!...