Artwork
Le Barbe bleu Prussien...

Le Barbe bleu Prussien... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1866 and is held in the collection of the National Gallery of Art. Created in 1866, this lithographic print on newsprint bears the title *Le Barbe bleu Prussien*.
About this work
Overview
Created in 1866, this lithographic print on newsprint bears the title *Le Barbe bleu Prussien*. The composition captures a frantic figure with disheveled hair, sword in hand, crashing through a doorway into a dim interior where several smaller figures stare up in alarm. The scene is rendered with rapid, sketch‑like lines that convey a sense of immediacy and disorder.
Subject & Meaning
The work juxtaposes the mythic “Bluebeard” archetype—a man notorious for violent secrecy—with a contemporary reference to Prussian power. By portraying a furious, almost barbaric intruder confronting bewildered onlookers, the image satirizes authoritarian aggression and suggests a critique of foreign dominance during a period of heightened Franco‑Prussian tension.
Technique & Style
Executed as a lithograph, the artist employed the medium’s capacity for bold, gestural strokes, allowing quick, expressive line work that emphasizes movement and chaos. The use of newsprint as a substrate reinforces the piece’s immediacy, aligning it with the fleeting, topical nature of 19th‑century caricature.
History & Provenance
The print emerged from the artist’s long involvement with republican satire, notably through contributions to periodicals such as *La Caricature* and *Le Charivari*. Though originally circulated as a newspaper supplement, later collections of the creator’s graphic oeuvre have preserved it as a representative example of his political lithography.
Context
Produced amid the political turbulence of mid‑19th‑century France, the image reflects ongoing debates over monarchy, aristocracy, and clerical influence. The reference to Prussian authority anticipates the growing anxieties that would culminate in the Franco‑Prussian War of 1870, positioning the work within a broader discourse on national identity and power.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.



















