Who painted On dit qu'on commence déja a la voir ...?

On dit qu'on commence déja a la voir ... was painted by Honoré Daumier in 1857.

Where can I see On dit qu'on commence déja a la voir ...?

On dit qu'on commence déja a la voir ... is held by National Gallery of Art.

What movement is On dit qu'on commence déja a la voir ...?

On dit qu'on commence déja a la voir ... is associated with Impressionism.

Artwork

On dit qu'on commence déja a la voir ...

Honoré Daumier , 1857

On dit qu'on commence déja a la voir ... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1857 and is held in the collection of the National Gallery of Art. On dit qu'on commence déja a la voir .

About this work

It’s a lithograph, a printing method where ink sticks to parts of a stone.

Three old women sit close in a dark room. A single candle lights their faces. Their hands rest on a table. The shadows make their wrinkles stand out.

Daumier made this in 1857. It’s a lithograph, a printing method where ink sticks to parts of a stone. He used rough lines to show tired faces and quiet moments.

This style feels like Rembrandt’s late drawings. Look it up at the National Gallery of Art, Washington.

Overview

On dit qu'on commence déja a la voir ... is a lithograph by Honoré Daumier, created in 1857, depicting an intimate gathering of three elderly women in a dimly lit setting.

Subject & Meaning

The scene focuses on the aged women's contemplative expressions, accentuated by candlelight and shadows, evoking themes of aging, memory, and the passage of time.

Technique & Style

Daumier employed lithography, utilizing the stone's affinity for ink to create rough, expressive lines. The work's somber, nuanced quality draws comparison to Rembrandt's later drawings.

History & Provenance

The lithograph is part of the collection at the National Gallery of Art in Washington, D.C., though its specific acquisition history is not detailed here.

Artist & collection

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.