Artwork
Saint Ignatius Leaving Antioch

Saint Ignatius Leaving Antioch is an ink drawing by the Romanticist artist Johann Baptist Enderle. It dates from 1773 and is held in the collection of the National Gallery of Art.
About this work
Overview
Saint Ignatius Leaving Antioch is a 1773 drawing by Johann Baptist Enderle. Executed on laid paper, the work combines watercolor, white gouache, black wash, and pen and ink applied over a graphite underdrawing, creating a layered monochromatic composition.
Subject & Meaning
The image depicts the early Christian figure Saint Ignatius as he departs from the city of Antioch, a moment traditionally associated with his missionary journey and eventual martyrdom. The portrayal emphasizes his pious resolve and the spiritual significance of his exile.
Technique & Style
Enderle’s approach merges the fluidity of watercolor with the opacity of white gouache, while the black wash and ink provide contrast and definition. The initial graphite sketch guides the composition, allowing the artist to build depth through successive translucent layers.
History & Provenance
Created in 1773, the drawing reflects the 18th‑century interest in religious subjects rendered in intimate, preparatory formats. Its subsequent ownership record is not documented in the available sources.
Artist & collection











